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Experience Music Project – A Different Sort of Waterproofing Challenge

February 26, 2021

February 2021 IIBEC Interface • 17
In 1998, the author was called by the senior project manager of the general contractor
who was tasked with constructing what was then called the Experience Music
Project, in Seattle, Washington, designed by renowned architect Frank Gehry.
Over the years, the name and mission have changed, and the building now goes by
Museum of Pop Culture or MoPOP.
The basic design was a structural steel frame of cut and welded plates to form
curved T shapes, infilled with structural shotcrete, covered by exterior waterproofing and an
exterior color-treated stainless-steel skin. The problem was that the shape of the shotcrete was
not flat or monosloped. It was curving in all directions, meaning that a standard roll or sheet
waterproofing would not work.
An additional problem was that the panels of the stainless-steel skin would be supported
by an exterior framing on pipe pedestals (Figure 1). Sort of a structural porcupine.
The design and construction of the building used CATIA three-dimensional (3-D) CAD
software (Figure 2).
Architect Frank
Gehry’s technology
company, Gehry
Te c h n o l o g i e s ,
adapted the CATIA
program for use
on his various
projects, including
Guggenheim
Museum Bilbao and
others.1 The CATIA
program allowed for
3-D design, which
was then used for the
fabrication and erection
of the steel and
Photo Credit: Cacophony, CC BY-SA 3.0 <http://creativecommons.org/licenses/by-sa/3.0/>, via Wikimedia Commons
Figure 2. Interior view of framing,
looking towards the roof.
Photo courtesy of Ray Wetherholt.
Figure 1. The structural steel framing over
flexible formwork was then enveloped with
shotcrete. Photo also shows a few of the many
pedestals. Photo courtesy of MoPOP staff.
the formwork, instead of the 2-D standard techniques
usually used in construction.
When we were retained, the waterproofing consisted
conceptually of a 60-mil (1.5-mm) self-adhered modified-
bitumen, polyethylene-surfaced sheet product, which
is commonly used below grade. During the preconstruction
phase of the project, the construction team immediately
realized they needed to change the waterproofing
to something more robust that would accommodate the
complex geometry of the structure.
The owner let the contractor guide the design along
with Frank Gehry’s project architects.
A waterproofing system using hot, rubberized asphalt
(HRA) was selected to be applied over the
shotcrete exterior. The surface of the shotcrete
was similar to stucco, not rough, and not
steel-troweled smooth. We thought the HRA
would adhere relatively well to the shotcrete,
but would the workers of the waterproofing
contractor be capable of applying the HRA
to the vertical, curvy, and sometimes overhead
surface? In order to validate the concept,
both the waterproofing subcontractor and
the manufacturer were engaged. HRA and an
asphalt-modified coating were reconsidered,
both with reinforcement.
After review of the modeling, a mock-up
(Figure 3) was constructed off-site to test and
refine the application techniques. Roofing
workers were able to use squeegees, trowels,
and big, long-nap rollers. The reinforcing was
changed to a woven polyester mesh that could
conform to the shape and that was light enough
not to pull the HRA off the surface of the shotcrete.
The surfacing sheet varied depending on
the slope of the surface for the HRA, so as not
to pull the HRA off.
The mock-up included both the HRA and
a roller-applied, asphalt-modified urethane
coating (Figure 4). The modified-asphalt coating
bubbled and blistered, did not adhere as
well as the HRA, and was soon abandoned.
As demonstrated by the mock-up, we then
considered the application of foam insulation
and acrylic coating. Over the nominally 220-
mil- (5.6-mm-) thick, reinforced HRA, a layer
of sprayed polyurethane foam (SPF) was carefully
applied. The concern was that the SPF
would shrink and pull the HRA off the shotcrete.
The author had experienced SPF pulling
waterproofing off of a shotcrete surface, finding
that the surface roughness of the shotcrete was
important to achieving good bonding of the
HRA, which, in turn, helped resist the shrinkage
and delamination of the SPF. In this case,
the surface roughness of the HRA couldn’t
realistically be controlled. Some of the shrinkage
appeared to be mitigated by spraying smaller
areas of SPF at a time, and by the cladding
18 • IIBEC Interface February 2021
Figure 3.
Reinforcement
steel and scaffold
of the mock-up
prior to shotcrete.
Photo courtesy of
Wetherholt and
Associates, Inc.
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February 2021 IIBEC Interface • 19
pedestals, which were numerous, penetrating
the HRA and SPF. An additional layer of acrylic
coating was applied over the SPF (Figure 5).
One of the keys to the successful waterproofing
and SPF application was full-time
monitoring of the application of the various
layers. Another was the cooperation
among the various team
members (see Teamwork sidebar).
During the construction process, the areas
of work were protected by tenting and enclosure
of the scaffolding. However, unlike during
most construction projects, the
Seattle Monorail, connecting
downtown Seattle and the Seattle
Center, remained active through
the site during construction.
The areas surrounding the
monorail portals were waterproofed
at night, between 11 p.m.
and 5 a.m., and utilized removable scaffold and
lifts. Figure 6 shows the monorail at upper left,
HRA installation in progress, and tenting at
right.
Once the waterproofing work was complete,
the only leakage reported was due to an
open hole in one of the cladding pedestals that
inadvertently had not been plug welded.
In November 2020, the author met with
MoPOP management staff who indicated that
no leaks have been reported to date from the
areas waterproofed, after 22 years in service.
Figure 4. Troweled-on HRA with trough held by worker in foreground.
Photo courtesy of Wetherholt and Associates, Inc.
Figure 5. Photo shows acrylic coating, SPF exposed at repairs,
and active monorail. Photo courtesy of MoPOP staff.
Figure 6. This photo shows the monorail at
upper left, HRA installation in progress, and
tenting at right. Photo courtesy of MoPOP staff.
TEAMWORKTEAMWORK
A key to this successful project was cooperation
among the various team members.
Owner: Vulcan, now MoPOP
Architect: Frank Gehry
General contractor: Hoffman Construction
Roofing/waterproofing contractor: Snyder Roofing
Waterproofing manufacturer: American Hydrotech
Shotcrete contractor: Johnson-Western
SPF and coating contractor: Walker Specialty Construction
Waterproofing consultant: Wetherholt and Associates, Inc.
There have been leaks at the intersection of
skyward-facing glazing with the shotcrete at
gaskets (Figures 7 and 8).
This complicated project was a “once in
a lifetime” experience for the writer. It was a
great demonstration of how thinking outside
the box forced creative solutions to be reviewed
and evaluated. The most promising solutions
were then mocked-up by skilled craftsmen.
Once the project was underway, the entire
team worked cooperatively to achieve the goal
of a successfully waterproofed building. This
author is grateful to the MoPOP staff for a tour
of the facility during COVID-19 restrictions,
and for receiving permission to use their photo
archives for research, and to include some of
those photos in this article.
REFERENCES
1. https://en.wikipedia.org/wiki/Digital_
Project
20 • IIBEC Interface February 2021
Raymond Wetherholt,
F-IIBEC, RBEC, PE,
started Wetherholt
and Associates in Redmond,
Washington,
in 1984. Prior to that
he worked for a commercial
construction
inspection and testing
company as their
inspection supervisor
and special projects
troubleshooter. He has
consulted on a broad array of projects throughout
the Pacific Northwest, ranging from commercial
projects to residential green roofs, manufacturing
buildings, and the Experience Music Project. In
2013, he received IIBEC’s Outstanding Educator
Award, and he was named a Fellow of IIBEC the
same year.
Ray Wetherholt
Figure 8. Looking
down on lower
elements and the
curved edge of
the glazing at the
skylight at left;
some of the glazing
is experiencing a
limited amount
of leakage. Photo
courtesy of Ray
Wetherholt.
Figure 7. Looking
down from an
upper element at
lower skin and flow
elements. Photo
courtesy of Ray
Wetherholt.
SIPL-In an effort to reduce their carbon footprint and in line with their desire to be “good
stewards of the planet,” the W. M. Keck Observatory on Hawaii’s Big Island now has 332 solar
panels. The panels will provide 259.1 MWh of power annually, or about 10-15% of the observatory’s
energy requirements.
Duke Energy’s REC Solar company, who installed the panels, had to contend with several
particularly difficult factors. First, the panels are 13,600 ft. above sea level, which is reportedly
the highest a solar panel array of this size has ever been installed. High wind gusts are typical
several times a year, so wind resistance was a major consideration. The 20,940-sq.-ft. ballasted
roof has no structural framework to which the system can be anchored, so specialized mechanical
attachments were created. When it came time for the actual installation, there was also the
issue of working at such a high elevation, where there is about 40% less oxygen than at sea level.
The panels are “strategically located” between two of the observatory’s domes, Keck I and
Keck II, to prevent ice and snow from atop the domes from impacting the solar panels.
Watch a brief video here: https://vimeo.com/489504779
— keckobservatory.org, Daily Energy Insider
Photo by Mark Devenot
Solar Panels at High Altitude on Hawaii’s Big Island